"I was always a comic book kid," he said. Speaking to CNET in the offices of his Sydney production house, Miller said his graphic novel-style film was really the culmination of a life-long fascination.
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However, this event will give Miller and his team the opportunity to crack out unseen footage and designs, and talk about the comic book-style universe they created for one of Hollywood's most eagerly anticipated sequels. There has been plenty said about "Fury Road's" 12-year development process, tough filming conditions and spectacular physical effects.
And the Australian location certainly makes sense for a film that Miller describes as being "as Australian as a dead kangaroo on the side of the road." The three creative leads will take to the stage at Sydney's Opera House this week as part of Graphic, a two-day festival dedicated to graphic art, animation and comic book creation.
Now, director George Miller is returning to the "spiritual home" of the film with illustrator Brendan McCarthy and dramaturge Nico Lathouris, both of whom co-wrote "Fury Road", to share the story of taking Max from the story board page to the screen. Instead, "Fury Road" was met with resounding praise, grossing more than $300 million worldwide (to date) and making its mark as a film that was nuanced and almost balletic, despite its explosive, teeth-bared ferocity. After three high-octane films in the late '70s and '80s, fans could be forgiven for fearing a gritty next-gen reboot that failed to live up to expectations. When "Mad Max: Fury Road" hit screens in May, the stakes were high.
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